João Guimarães Rosa ( 27 June 1908 – 19 November 1967) was a Brazilian novelist, considered by many to be one of the greatest Brazilian novelists born in the 20th century. His best-known work is the novel Grande Sertão: Veredas (translated as The Devil to Pay in the Backlands). Some people consider this to be the Brazilian equivalent of Ulysses.
Grande Sertão: Veredas (Portuguese for "Great Backlands: Tracks"; English translation: The Devil to Pay in the Backlands) is a novel published in 1956 by the Brazilian writer João Guimarães Rosa.
The original title refers to the veredas - small paths through wetlands usually located at higher altitudes characterized by the presence of grasses and buritizais, groups of the buriti palm-tree (Mauritia flexuosa),[1] that criss-cross the Sertão region in northern Minas Gerais, Southeast Brazil - as a labyrinthine net where an outsider can easily get lost, and where there is no single way to a certain place, since all paths interconnect in such a way that any road can lead anywhere. The English title refers to a later episode in the book involving an attempt to make a deal with the Devil. Most of the book\'s spirit is however lost in translation, as the Portuguese original is written in a register that is both archaic and colloquial, making it a very difficult book to translate. The combination of its size, linguistic oddness and polemic themes caused a shock when it was published, but now it is considered one of the most important novels of South American literature. In a 2002 poll of 100 noted writers conducted by Norwegian Book Clubs, the book was named among the top 100 books of all time
Grande Sertão: Veredas (Portuguese for "Great Backlands: Tracks"; English translation: The Devil to Pay in the Backlands) is a novel published in 1956 by the Brazilian writer João Guimarães Rosa.
The original title refers to the veredas - small paths through wetlands usually located at higher altitudes characterized by the presence of grasses and buritizais, groups of the buriti palm-tree (Mauritia flexuosa),[1] that criss-cross the Sertão region in northern Minas Gerais, Southeast Brazil - as a labyrinthine net where an outsider can easily get lost, and where there is no single way to a certain place, since all paths interconnect in such a way that any road can lead anywhere. The English title refers to a later episode in the book involving an attempt to make a deal with the Devil. Most of the book\'s spirit is however lost in translation, as the Portuguese original is written in a register that is both archaic and colloquial, making it a very difficult book to translate. The combination of its size, linguistic oddness and polemic themes caused a shock when it was published, but now it is considered one of the most important novels of South American literature. In a 2002 poll of 100 noted writers conducted by Norwegian Book Clubs, the book was named among the top 100 books of all time